Awkward Blog

Showing posts with label minicomics. Show all posts
Showing posts with label minicomics. Show all posts

Tuesday, March 31, 2015

I visit Cookeville, TN regularly to see my wife's family and off and on have visited local comics shops. I thought they were all gone, but last year for Free Comic Book Day, my in-laws heard about Mountain Top Comics and kindly stopped in for me. I took the opportunity to visit recently and met the owner Michael Hargis. It's the only shop left in Cookeville, which at one point in the 90s had at least three of them. The shop at, 1683 S. Jefferson Ave, has a good assortment of new comics. Hargis probably stocks more new floppies than the Big Planet stores around DC that I regularly shop at.  Hargis has a good run of the non-big two comics, including a reasonable shelf of indy graphic novels, and lots of Image and Boom comics. He also has a fun selection of comics-based toys, a decent amount of back issues and a little bit of games. If I lived here, I'd be perfectly happy with this as my regular shop. Today's purchases were Camelot 3000 chosen by my daughter, Batman 66 trade for me, and a Conan print and The Haunt of Wylding Wood minicomic by local cartoonist Matt Knieling (pictured below).













Back issues for sale in a side room


Friday, March 27, 2015

by Mike Rhode

Emily R. Gillis was a Smudge exhibitor, selling a collection of her webcomic Jikosha. She's a founder of the local cooperative, Square City Comics, and one-half of Wayward Studios. Her comics can be bought here.

What type of comic work or cartooning do you do?

I primarily do longform fantasy comics with a style heavily-influenced by anime I grew up watching. I also have participated in the 24-Hour Comic challenge for the past 4 years and like to turn those into minicomics.

How do you do it? Traditional pen and ink, computer or a combination?

Mostly traditional. All of my comics are first drawn with pencil then inked with microns and brush pens, though I've been experimenting more with brush and ink. Coloring and lettering are all done digitally though most of my coloring is done by the other half of Wayward Studios, Crystal Rollins. I've been practicing digital colors with her help, but she is a magician with them!

When (within a decade is fine) and where were you born?

I was born in '84 in St. Paul, MN (dontcha know), though I grew up near Denver, CO.

Why are you in Washington now? What neighborhood or area do you live in?

I moved to the Baltimore area to seek out more work opportunities and to move in with my boyfriend, now husband. Currently, we're up north in Cockeysville, MD. I'm down in DC every month though for events and for meetings with my friends in Square City Comics.

What is your training and/or education in cartooning?

I earned a bachelor's degree in graphic design back in 2006. I never formally studied cartooning, but I remember making comics as far back as the 4th grade when I turned my teacher into a superhero for a story. I mostly learned from reading books on the subject and just reading other comics.

Who are your influences?

Starting out, I was heavily influenced by anime like Sailor Moon, Magic Knight Rayearth, and Dragonball Z. Currently, my work is most influenced by other local creators I've met as well as webcomics I follow. Comics like Namesake, Sister Claire, and Stand Still Stay Silent are the first ones that come to mind for works I look to for inspiration and technique.

If you could, what in your career would you do-over or change?

Get serious about comics sooner. I went into graphic design since I figured I could both get a job more easily with that degree and I could apply what I learned there to comics, though I'd never really considered comics a valid career option. I didn't pursue it seriously until a few years ago and it's been a struggle trying to turn it into a full-time gig rather than something I have to make time to do outside of my day job.

What work are you best-known for?

I'm best known for my webcomic Jikoshia. I began writing the comics back in high school and rebooted it three times before bringing it to print.

What work are you most proud of?

I have two comics that I'm super proud of. Jikoshia has come so far and turned into a project I really love. I recently brought my latest 24-hour comic to print as well, All You Held Dear, and for being a comic written in such a short amount of time, I'm really happy with the way both the writing and the art turned out!

What would you like to do or work on in the future?

I just want to more time to work on personal projects. I have a "vault" of story ideas and scripts I have yet to finish and I'm anxious to get to them!

What do you do when you're in a rut or have writer's block?

That's when I refer to Crystal. Part of why we formed Wayward Studios was to help each other out when we get into blocks. We'll talk through problem scenes or give the other a kick in the pants if we slack off. Another trick I've learned is to go read another comic or play a video game for a while. It gives me a chance to step out of the worlds I've created and into another, helping me refresh my viewpoints.

What do you think will be the future of your field? 

With the advent of crowdfunding, I'm looking forward to seeing more creator-owned works come to life. A lot of great projects have come about because of this resource (including my own!).

What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?

I go to almost every one I can find! I regularly attend Katsucon and Small Press Expo and look forward to this year's Awesome Con. I've only managed to go to Intervention once so far, but would definitely like to again! I also make appearances at smaller shows like Tiger Con in Towson, Library Con in Petworth, and Nippon Con in Westminster. I'm currently planning a small show for a comics group I'm a part of called Square City Comics in June and hope to turn that into an annual gig.

SPX is my favorite event of the year and I recommend it to everyone looking to get into comics. Just make sure to set a budget for yourself otherwise you'll definitely spend your lunch money on books instead of food. Not that I've ever regretted it.

What's your favorite thing about DC?

I like that I don't have to drive to most places and that there's so much to do! Before moving to the East Coast, I was living in a very small mountain town and doing anything involved at least a 4-hour drive. Having everything I want to do be so close took some time to get used to and I love having so many options.

Least favorite?

Traffic. My sense of direction is a bit off and too much traffic really throws me for a loop! Plus one-ways are the bane of my existence.

What monument or museum do you like to take visitors to?

My parents came out to visit for the first time a couple years ago so I took them on a tour of the National Mall. My dad was like a kid in a candy store at the Air & Space Museum. Next time he comes out I'm taking him to the one in Dulles.

How about a favorite local restaurant?

District of Pi in Chinatown is my favorite, though I've heard there's a great ramen place in Rockville I need to try. That might unseat the pizza's throne.

Do you have a website or blog?

You can find all of my work and learn where I'll be next on waywardstudios.net. I also sometimes post work and news to my Tumblr (thealmightym.tumblr.com) and Instagram (@thealmightym).

Tuesday, March 17, 2015

Artiga-Oliver and son at Smudge
by Mike Rhode

Chris Artiga-Oliver attended the Smudge Expo 2015 last weekend selling his self-published comic book Coll: Yondering. Coll is a barbarian warrior, perhaps a Viking, who excels in combat in the three short stories in the comic book.

What type of comic work or cartooning do you do?

I write screenplays for a living but had always intended to direct films. As a result many of the stories I create pass through many other hands before be translated into images and the results can be frustrating. Comics has always been my other love so a couple of years ago I created the character of Coll and began making comics.

How do you do it? Traditional pen and ink, computer or a combination?

I draw out my Coll layouts in pencil and then finish them in traditional pen and ink and watercolor wash.

When (within a decade is fine) and where were you born?

I was born in 1970 in Burlington, Vermont to an artist mother who later married my stepfather who is a primatologist. We traveled a lot throughout my childhood and I was exposed to many different types of comics in many different languages.

Why are you in Washington now?  What neighborhood or area do you live in?

I moved to DC in 1989 to attend the Corcoran School of Art and Design where I met my wife. We settled in the Mt Pleasant neighborhood where we still reside.

What is your training and/or education in cartooning?

I studied photography at the Corcoran but left to pursue film. I am not trained as an illustrator but I have always drawn things since I was encouraged to start by my mother. Every day's work drawing Coll sees me trying something new and pushing the level of my ability and creativity and I love the challenge.

Who are your influences?

I was drawn in by the work of artists like Vaughn Bodรฉ, Moebius, Philippe Druillet, John Buscema and Frank Miller.  I have been lucky to meet (online and in person) local talent like Nick Liappis, Jason Rodriguez and Andrew Cohen who are very supportive and encouraging. The online community has been supportive as well having received encouragement from Tony Moore, Aaron Conley and Grim Wilkins. It's nice to plug into a community of creators that are so generous with their time and support as I move forward into untested waters.

What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?

Through attending and showing at SPX I've been able to meet childhood heroes like Los Bros Hernandez and strike up friendships with Alexis Ziritt and Brandon Graham, two people who's work I admire. 
What monument or museum do like to take visitors to?

The American Art Museum is also a great place to go for inspiration and solitude. I've also mined the collections of the Freer and the Sackler museums for inspiration for the Coll stories. 

How about a favorite local restaurant?

I frequently thumbnail stories in my sketchbook in my favorite DC restaurant Zorbas in Dupont Circle. I have been going there since my first week in DC and in that 26 years the owner has become like a second mother to me. I lament the loss of another great hangout, Heller's Bakery, I hope the Duni brothers can find a new location soon.

Do you have a website or blog?

Currently if you want to follow along with work on Coll I post a lot of process work at @artoli70 on Instagram as well as pen-monkey.tumbler.com - there will be a dedicated Coll website soon.

Monday, August 2, 2010



Autobio minicomics creator Ryan Claytor is in town this weekend for his US tour at Union Station -

Ryan Claytor In-Store Signing
August 7th, 2010 from 4-7pm
at Fantom Comics
50 Mass Ave. NE
Washington, DC 20002

I've bought all of Ryan's minicomics and recommend them.