by Mike Rhode

Michael Cavna, Keith Knight and Lalo Alcaraz

Keith Knight is one of my favorite cartoonists and one of the hardest working men in comics. His 7-day strip Knight Life appears in the Washington Post (only on Sundays, boo!). He does another panel each week called (Th)ink). And his first 1-page multi-panel, The K Chronicles, is still running. You can see them all at http://www.kchronicles.com/

Keith was in town last weekend for the National Book Festival (link to my pictures) and we started chatting until he had to go on stage. He's had a lot of changes in his life in the past year or so. First read my 2011 interview with Keith.

MR: Why did you move to North Carolina from California? How's that working out? 

KK: One of my first comic strip slideshows was in the Research Triangle of North Carolina (Raleigh, Durham, Chapel Hill)..I had such a great time and really enjoyed the area..so it was always in the back of my mind...Then my mom moved down to South Carolina from Boston, so there's that...  Affordability was also a huge factor.  The boys have a yard to run in...

MR: What's the story behind your NAACP award?

K: I was recognized, along with a number of other activists, for my cartoon slideshow about police brutality.  It's not really an award, just recognition.

MR: You're taking on the serious topic of police violence against black people in more ways than just drawing a cartoon. Can you tell us about that, and why you feel the need to do so?

 
KK: I felt like a slideshow of 20 years of my police brutality cartoons would be a good way to engage audiences to ask why these incidents continue unabated.  I was really frustrated drawing yet another cartoon after Ferguson. I used to say to myself, "I hope this is the last time I have to draw one of these." Clearly, it never is.

And this Shaun King quote really resonated with me: "LISTEN: If you ever wondered what you would do if you were alive in the Civil Rights Movement, NOW IS THE TIME to find out." 

MR: Your children are bi-racial, you live in a progressive part of NC, and you've chosen to home-school them. Why?

KK:  A number of reasons, but the biggest being that we felt it was a doable. The amount of resources the Research Triangle offers to secular folks who decide to home-school is incredible.  Classes for home-schoolers are held at libraries, the Y,  the university..There's even a homeschooling store near our place.

Keith's sign language interpreter kept cracking up.

MR: You've told me that your business model has been changing from sales of books to sales of prints, and that you're doing better at art shows than you do at comic cons. Can you expand on that?

KK: Comic book conventions give folks a chance to get their fantasy on, so I can understand how they don't want to be confronted with the ugly reality of some of the stuff I do.  To balance things, I've been doing comics celebrating some of the people I've looked up to who have recently passed.  Folks like Julian Bond, Maya Angelou, and Nelson Mandela. I do their portraits, along with some of their quotes.  They go over really well in non-comic book settings.  Sometimes it's better being the one cartoonist at an art show, than one of 500  at a comic book convention.

MR: Keith returns to DC next weekend for the Small Press Expo. I can't recommend his work highly enough.

Meet a Visiting SPX Cartoonist: A Chat With Keith Knight

 by Mike Rhode on Sep. 1, 2011

http://www.washingtoncitypaper.com/blogs/artsdesk/visual-arts/2011/09/01/meet-a-visiting-cartoonist-a-chat-with-keith-knight/

 

The first of the SPX-specific interviews launches...

COMIC-CON 2010: Keith Knight talks new books, Nappy Hours & why he won't be on an Angry Black Panel
By Michael Cavna
Washington Post Comic Riffs blog July 22, 2010


COMIC-CON 2010: DC's DAN DiDIO talks Superman, Wonder Woman & why he loves fan interaction
By Michael Cavna
Washington Post Comic Riffs blog July 22, 2010

"Comic-Con: The Post-Mortem," by Glen Weldon, National Public Radio's Monkey See blog July 29, 2009.

Michael Cavna had a few quotes from 3 of my favorite cartoonists, including Our Man Thompson. The other two are Keith Knight and Stephan Pastis.

“Outside Looking In: Alternative Political Cartooning in 2008” Announces Guests Jen Sorensen, Keith Knight and Nate Beeler

For Immediate Release
Contact: Warren Bernard


Phone: 301-537-4615

E-Mail:webernard@mindspring.com

Bethesda, Maryland; September 9, 2008 - The Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comic books, graphic novels and alternative political cartoons, is proud to announce Jen Sorensen, Keith Knight and Nate Beeler as guests for the SPX 2008 special event, “Outside Looking In: Alternative Political Cartooning in 2008”.

Jen, Keith and Nate join the prestigious and street cred ready talents of Tom Tomorrow (Saturday, October 4 only), Lloyd Dangle, Ruben Bolling, Matt Wuerker and Ted Rall for a special symposium on political cartooning in this most political of election years.

Jen Sorensen (“Slowpoke”) - http://www.slowpokecomics.com – Jen is now the political cartoonist for The Village Voice, as well as being syndicated nationally and is (unfortunately) one of the few women political cartoonists. She will be at SPX to sign her latest book, One Nation, Oh My God.

Keith Knight (“The K Chronicles”, “(th)ink”) - http://www.kchronicles.com/ - Keith Knight is an the creator of the syndicated daily and Sunday strip “The Knight Life”. His latest books are The Complete K Chronicles from Dark Horse books and his self published I Left My Arse In San Francisco. He draws regularly for Mad Magazine and ESPN the Magazine

Nate Beeler – http://www.dcexaminer.com/opinion/blogs/NateBeelerToons - Nate is the syndicated political cartoonist from The Washington Examiner. He won the John Locher Memorial Award as The Best College Political Cartoonist and will be making his first appearance at SPX.

Be sure to stop by the Cartoonists With Attitude booth at SPX, where many of the announced political cartoonists will be available to sign books and pontificate on the latest news from this historic election year.

The events surrounding “Outside Looking In: Alternative Political Cartooning in 2008” is included with the SPX admission fee of $8 for a single day and $15 for both days.

In Sunday's paper, The Knight Life was dropped in favor of The Argyle Sweater - production mixup, or early preview of the Post's decision on the tryout comics? Or was Sunday's strip, with a mention of homelessness, just too insensitive for them?

His readers are absolutely wrong on Keith Knight and Weingarten is right.

May 20th chat

Gene Weingarten: Good afternoon.

Jef Mallett, creator of Frazz, e-mailed me yesterday after he returned from The National Cartoonists Conference in New Orleans. During the conference, he said, a whole bunch of cartoonists went off to help build a house in the city, as part of a Habitat for Humanity project. I asked him to draw a cartoon of what a house would look like if it was built by cartoonists. Here is Jeff's drawing, along with his commentary.

What I learned from this experience:

1. Cartoonists cannot hold hammers. You've never seen so many people choke up so high on a hammer.

2. What's black and white and red all over? A Scottish-Norwegian cartoonist messing with tar paper shingles all day in the sun. Heehaw. Trust me on this one.

3. When cartoonists hammer their thumbs, what they say isn't really spelled "##%!!*."

4. Whatever you think you know about the devastation down there, you don't have a clue. And it's almost three years.

What I learned from drawing the two cartoon characters in this picture:

1. Rosie the Riveter seems to be giving us all the "up yours" gesture. I never quite noticed that.

2. I am apparently one shopping trip to Williams-Sonoma away from being as gay as a Mardi Gras float. This, too, was a big surprise.

May 27th chat

CPOW: That Knight's Life is not a funny comic. You just like it because it supports what you (and all of us) have been saying. The Pearls on the other hand IS funny.

Gene Weingarten: I am allowed personal bias.

_______________________

Fairfax, Va.: Agreed on liking Knight Life. The first replacement, about the stay-at-home dad, clearly got old quickly. The second one, while promising, seems like it was trying too hard to be The Far Side. The third one, while it may fall into that category of nerdy young black man with Candorville and Watch Your Head, seems by far to be the best. Any idea what the general reaction to the three has been?

Gene Weingarten: The Post people are pretty smart. I've liked the last two, actually. I am hoping we keep both and get rid of some antedeluvian ones.
---------------------------------------
Baltimore, Md.: You have GOT to be kidding about Knight Life, right? Anyone who names a comic strip after himself immediately has one strike against him. And, Sunday's cartoon included jokes so old and lame even my 5 year old thought they were stupid. THIS is what the Post thought could replace Doonesbury, even temporarily? My God, ...the horror.

Gene Weingarten: Yeah, Sunday's was bad. I agree.

_______________________

Washington, D.C.: Yes, the Knight Life comic is funny, but can you answer me this question. If the Post is going to add a new comic strip, why oh why, isn't the daily Cul de Sac, by the Post's own Richard Thompson, not up for consideration?

Gene Weingarten: It should be the first choice.

_____________________

Re: The Knight Life: The art on this strip is terrible. Doesn't that bug you?

Gene Weingarten: No. I like the art.

Keith's new strip appears as third of the trial ones in the Sunday comics section on May 18th. Write into the Post to support it! He's got a child on the way! And he's funny! And, apropos of the controversy over the number of cartoonists of color earlier in the year, he's of color! But the important thing is that Keith's funny and an excellent cartoonist. I've bought every one of his collections at SPX and will keep buying them as long as he keeps doing them. And I've got his coffee mug with a (Th)Ink panel of Bush's Shadow(y) Government showing Bush with a shadow of Darth Vader displayed prominently on one of my comics shelves.

Keith (or Keef as he prefers, but I don't know him that well) must be reading this as he just emailed the following information:

*KEEF AT THE CHARLES SCHULZ MUSEUM/INTERSECTION FOR THE ARTS
I'll be up in the Bay Area in late May for a couple of events. On Sunday, May 18th, I'll be the guest cartoonist at the Schulz Museum in Santa Rosa, from 1-3pm. I'll be signing copies of "I Left My Arse in San Francisco". If you've never been there, go!! It's a really swanky place.
http://www.schulzmuseum.org

On Tuesday, May 20th, I'll be sharing the stage with co-horts Miriam Libicki, Ariel Schrag and Jaime Cortez for a panel discussion about graphic storytelling as part of a month-long series of comic strip and cartoon based events put on by the Jewish Community Center of San Francisco. It takes place from 7-9 pm at the Intersection for the Arts, 446 Valencia St. (between 15th and 16th) San Francisco.

http://www.jccsf.org/content_main.aspx?catid=448

Show up to both events and I'll give you something nice.

*THE COMPLETE K CHRONICLES: NOW AVAILABLE FOR PRE-ORDER!!
You can now go to my website and pre-order the upcoming 500-page K Chronicles Omnibus Collection (being published by Dark Horse this summer). It collects the first four books (including the out-of-print "Dances with Sheep", "Fear of a Black Marker", and "Passion of the Keef"), sketches, notes and a foreword by Kyle Baker!! Click on the link below to got to the pre-order:

http://www.kchronicles.com/store/index.shtml