by Mike Rhode

Anais Depommier is a young woman illustrator who has just had Sartre, her first graphic novel (really a graphic biography) come out in English from NBM Publsihing. She attended the 2017 Small Press Expo and I got the opportunity to interview her there.

Her NBM biography is charmingly translated rather literally (and a little outdated as you'll see later in the interview): Anaïs Depommier was born in the late 1980s in a small village in the Southeast of France. Growing up a close friend of Mathilde Ramadier, they can't do enough sleepovers from one's house to the other. Inseparable at school, they spend their weekends building huts in the bush, watching the gendarmes go by, playing "Mouse Stampede" on a Macintosh Classic, and reading many comics. When it becomes time to prepare for the entrance exam to art school, they meet later in the evenings at the painter Jean-Michel Pétrissans' workshop in Valence.

Anaïs studied drawing for four years, then co-created the OneShot workshop where regular life drawing classes and other exhibitions are held. She now lives in Paris and works in comics, graphics and animation design. 

For those not familiar with the French philospher Sartre, NBM's blurb for the book reads: For some he was the philosopher of existentialism, for others the constant provocateur, the politically engaged author, the uncertain militant, the repenting bourgeois, the life companion of Simone de Beauvoir… From his first readings in the Luxembourg Garden to his refusal of the Nobel Prize for Literature, Jean-Paul Sartre was all of this at the same time.

Mike Rhode: So SPX is your first American show... is it a little overwhelming?

Anais Depommier: Absolutely.

MR: And Sartre is your first book in English?

AD: Yes, and also my first graphic novel. And also for the writer Mathilde Ramadier, actually. It was our first book.

MR: Did you propose the book together to the publisher?

AD: We've known each other for a long time, so we created the project together and then asked some editors [if they would be interested in it].

MR: Biographical comics are fairy popular in France?

AD: Yes, that is true.

MR: You didn't serialize this in a newspaper first; this is an original graphic novel.

AD: Absolutely, we started everything through a contract with our French editor. Dargaud is our publisher; it's one of the main and oldest ones in France.

MR: Did you have the book already put together, or was it just a proposal when you approached them?

AD: It was just a proposal. Works like this in France are usually [done this way now].

MR: So they gave you an advance?

AD: Absolutely.

MR: Moving on from the business side to the subject, so why did you pick Sartre?

AD: At the beginning, it was the writer's idea. She got her masters degree in philosophy, writing about Sartre, and she's passionate about comics (like I am). She thought it would be a good idea to depict him in comics, so she asked the artist that she knew - me - and I totally agreed with her. We started like this.

MR: Did she give you a script that you then broke down?

AD: Absolutely. In the beginning, she explained to me in conversation what she wanted to say about him, and then she wrote all the script. I made my own layout. She didn't really criticize the scenes - I decided the layout myself.

MR: Right, so she didn't give you thumbnails or sketches?

AD: That's true.

MR: This is a fairly substantial book... how long did it take you?

AD: Oh, a little time. Two and a half years, more or less. 135 drawn pages, and [an appendix] at the end to explain who is who in the book, for 160 pages in total.

MR: Did you have a hard time illustrating any action in a philosopher's life? I saw in the early pages that he was a rough-and-tumble school boy.

AD: Absolutely. It was kind of fun actually to draw that part. [laughs] It was interesting to show this man not just as an intellectual philosopher, a serious guy, because he had a lot of humor. I liked the pages where there was more action, and all his travels, all the trips he made. It was interesting to read the documentation and get the atmosphere.

MR: Did you work from photo references?

AD: A lot. And also from videos. We still have some interview videos of him. He died in 1980. In his last fifteen years, he was not that active outside his house. He was really sick.

MR: Who is the audience for this in France? Is this an all-ages book in France?

AD: Yes, and that's interesting. In festivals, we meet a lot of professors who don't really read comics, but they are curious about it, so that's great for us. Also, the opposite - comics lovers who know Sartre by name but don't know his books and they buy our book because they are curious.

MR: Were you influenced by any of the other biographies that came out? Anne Simon was here last year [at the Alliance Francais] to talk about her books that had been published in English.

AD: Yes, Einstein and Freud... I met her because we have the same French publisher. I think her first book, Freud, was published during the time we were doing the first pages of our book. So she's not really an influence because she has a totally different point of view. I really like her work - it's totally another thing, another approach.

MR: So what's next?

AD: Right now, I'm just starting to work on another story. It's still really, really beginning. It's fiction, and kind of dark.

MR: Your own characters?

AD: Yes. I will work with another writer, an Italian one, and we'll see how it goes.

MR: Is this your first time in America?

AD: Yes it is, and it's really exciting.

MR: Where are you going next?

AD: Before I was in Baltimore at MICA and I met some students, and it was really interesting. Tomorrow I will be at the Brooklyn Book Festival, and then next week I will be in Miami in an art school and then a book store.* The counrty is really different already even between Bethesda and Baltimore so I cannot imagine New York and Miami.


MR: I'm sorry you don't have the time to see Washington while you're here since it was influenced by Paris. Any thoughts about the Small Press Expo? Have you been able to walk around?

AD: Just a little bit this morning, and I will go again now. It seems to have really cool work; so many different comics and illustratioins. It's full of variety and I love it. It's a little underground and I really like that.

SPX floor by Bruce Guthrie

MR: SPX isn't a normal American superhero convention. In France, do you usually attend Angouleme or other festivals?

AD: I've been there twice, but always just to visit. It's a huge festival, and editors send their author with a new book, but Sartre was published in March, and the festival is in January, so it didn't match. Still, it's a crazy festival and a really interesting place to go.

MR: Have you done other French shows then?

AD: Yes, in France - a lot. In Paris, a lot, in Lyon, a lot and so many in little cities.

MR: Do you see a difference about a show in France and one in America?

AD: Here in America everything is bigger. Also the buildings too. It's impressive. I can find the same family atmosphere, a relaxed and fun atmosphere is a common point, for sure.

MR: I should ask you about your background before we end...

AD: What I did before my book? I was in university, in École Émile Cohl, a traditional school with an academic program, and I studied comics and illustration there. After that, I created a studio with friends, and did exhibitions and drawing classes, still in Lyon. Then I went to Paris and I started this book. I've made a lot of little works for newspapers, and been a graphic designer for lawyers,. This book took me so much time. I'm also doing work in Lyon Capitale, a French newspaper that has several pages a month about the history of the city. It's not really serious. There's always a historical background, but the story can be fictional. I'm still working for newspapers as a graphic designer, and I'm starting a new book, but I've also moved to Rome. I don't live in France anymore.

MR: Why Rome?

AD: It's a personal choice, not a business choice. It's a gorgeous city and I really love the Italian south.

The drawing she did in my book

*If you're in Florida tomorrow:
 Anais Depommier Book Signing
Books & Books / September 20 at 8PM
265 Aragon Ave Coral Gables, FL
http://booksandbooks.com/event/anais-depommier/

I stopped into the MARVA matchbook club meeting yesterday to hand off some old matchbooks (as you know, I love ephemera) and the group was very welcoming. They usually have piles they trade amongst themselves as everyone has to specialize. I found a few of cartoon interest:


3 hillbilly gag cartoons, probably from the 1940s or early 1950s, on matchbook covers.


"Won't Be Long Now" hillbilly cartoon gag on matchbook cover.


A cricket that looks a lot like Disney's Jiminy on a "Li'l Cricket Food Stores" matchbook cover.


Matchbook ad for Art Instruction, Inc, the school that Charles Schulz attended (via correspondence) and taught at before Peanuts.


Interior of matchbook ad for Art Instruction, Inc, the school that Charles Schulz attended (via correspondence) and taught at before Peanuts.


Cartoon matchbook spotlighting French cartoonist.


ANNÉE DE L'ENFANCE [aka, Année internationale de l’enfant : 1979]

Francisque Poulbout (1879-1946)
Dessinateur humoriste, POULBOT devient célèbre vers 1910, grâce à ses dessins inspirés des gosses de la rue. Il crée en 1920 le Dispensaire de P'tits Poulbots et la République de Montmartre pour aider les enfants nécessiteux. Le nom de poulbot est aujourd’hui passé dans la langue courante pour désigner un gosse de la rue.

Translation by Portugese comics scholar Leo de Sa:

INTERNATIONAL YEAR OF THE CHILD [1979]
Francisque Poulbout (1879-1946)
Cartoonist, POULBOT became famous around 1910, thanks to his drawings inspired by street kids. In 1920 he created the Dispensary of Little Poulbots and the Republic of Montmartre to help needy children. The name "poulbot" became the everyday-language designation for a street kid.

Quick details here -

Accent on Art: Alliance Francaise's and MICA's Festival Image
Written by Express contributor Ryan Little
Express April 15, 2010

I'm off to see Matt Wuerker get the Herblock award.

My buddy's got all the details on his blog - "Comix Influx Blog: Angoulême 2009" by Stephen Betts on 11th February 2009. Check it out, and then stay to note the Comix Influx project. Stephen and co. are translating European graphic novels into English, and then providing the text for you to read along with your copy. These aren't scanlations and you have to have the original comic already, but this is a neat way you can get ahead of Fantagraphics, Drawn and Quarterly or NBM and be the hippest person on your block.

In his June 17th chat, GW amped his coolness factor considerably when he wrote,

One of my prize possessions is an autographed copy of a Furry Freak Bros. book. Gilbert Shelton signed it to me from where he lives, in self-imposed exile, in France. The French still love him. The book is in French.

The Fabulous Furry Freak Brothers were a great 1960s era comic for stoners. The brothers were Fat Freddie Freak, Freewheelin' Frank Freak, and Phineas Freak. Probably their best known line was: "Dope will get you through times of no money better than money will get you through times of no dope." They also had a version of that quote where "sex" was substituted for "money." They both rang true back in 1969 or so.

and later, he wrote, He was a terrific cartoonist.

and a question about For Better or For Worse arose:

Elizabeth and Anthony: Re today's FBOFW: Is Lizzie (dare I suggest) knocked up? Is she fishing for a babysitter for Anthony's daughter, or her own bun in the oven?

washingtonpost.com: For Better or For Worse, (June 17)

Gene Weingarten: It's hard to be sure; we'll know tomorrow, won't we? My guess is that this is not a Major Announcement, for three reasons. First, I don't think Johnston would go there. Second,they've been talking a while about moving up the date of the wedding so Gramps can be there before he corks. If there were another pressing reason, I think this would indicate a degree of disingenuity about Elizabeth that Johnston wouldn't do. Elizabeth is perfect; the Madonna.

On the other side, look at how shocked Dee is in that final frame. Also, why would they suddenly be borrowing the babysitter? They've had Anthony's girl all along.

I vote no, tho.

Gene Weingarten: Okay, I meant two reasons, not three.

and a comment about Doonesbury:

Kensington, Md: I am slower than molasses in January. It just hit me that Doonesbury is back. Is there anyone else cartooning right now who could take 12 weeks off and expect to get his/her spot back in seemingly every newspaper in the country?

Gene Weingarten: Unfortunately, yes. Garfield, Beetle Bailey, etc.

Though, hm. Maybe not. Maybe sanity would prevail. Maybe that's why those strips never take a vacation.

but For Better issues are raised again...

FBOFW: Oh, Liz is clearly pregnant. "I already feel like a parent" is clue #1, Dee's face is #2, and the fact that Lynn Johnston ain't subtle is #3.

washingtonpost.com: Don't scare me like that.

Gene Weingarten: We'll see tomorrow. It's possible. So we have out of wedlock sex! But we also have that weird thing about advancing the wedding so grandpa can go...

I still think no.

and then again...

Washington, D.C.: I'm with Gene. Elizabeth is not pregnant. She feels like a parent b/c of Anthony's already existing child. They will be stealing the babysitter b/c they have been taking it slow, etc., not dating a lot. The wedding was pushed up in direct response to April's comment to move it up so Gramps could go. If she were going to be pregnant out of wedlock, they'd of kept her with the pilot dude

Gene Weingarten: Well, I just think she was ever going to be preggers out of wedlock.

_______________________

Arlington, Va.: Despite your cogent, detailed analysis of today's For Bettor or for Worse, you are a moron. The sudden ending makes little or no sense unless there's a pending/immediate NEED for a babysitter.

Lynn Johnston has used setups like this for other developments in the strip. Watch that space. And we'll see you in a few weeks at the baby shower.

Gene Weingarten: This is interesting.

I like that we'll know tomorrow. A real-time debate.

and the debate continues...

FOOB: Isn't it obvious? Dee's just horrified that she won't be able to escape from her twee little brats as often as she'd like.

Gene Weingarten: Yeah, I think you're right.

...this obviously struck a nerve...

Seattle: In Re: FBOFW's Elizabeth The Pure -- Remember, she lived with her boyfriend when she was in college; she dumped him after he cheated on her.

Gene Weingarten: Yes, but getting knocked up is different.

So, tune in tomorrow or later this week to see if Elizabeth is knocked up AS THE WORLD TURNS.