https://imgur.com/Rwz45gU is the image.

The chat is here: https://live.washingtonpost.com/gene-weingarten-20180320.html

By the end of the chat, I felt the most significant piece to come out was that Horace LaBadie actually wrote the offending strip.  I know Gene has talked about having writing help, but the last I recall was his son. However, LaBadie is credited on the Syndicate's webpage for the strip at https://www.washingtonpost.com/syndication/comics/barney-clyde/

Gene Weingarten (Me & Dog) and Matt Dembicki (Wild Ocean) and will be among the local authors at the 25^th annual Meet the Author Night and Book Fair Dec. 3 (5:30 p.m. to 8 p.m.) at the University Club of Washington, D.C.  The free event is open to the public. Click for the full list of participating authors.

Comic Riffs recently ran an article about comic strips doing a 9-11 commmemorative. We've got four strip local creators, so I asked them - are you doing a 9-11 strip?



Donna Lewis of "Reply All":



Yes. :-)



USA Today has a preview panel here and they included a panel of mine. :-) (very honored).



Richard Thompson of "Cul de Sac":



No, I didn't do one. I couldn't find a graceful way of putting a 9-11 comment into the small world of Cul de Sac that didn't diminish the commentary and the strip. The one cartoon on 9-11 that's stayed with me over the last decade is a Tom the Dancing Bug from a few weeks after the actual event. It's here. I couldn't offer anything as eloquent as that. For what it's worth I'm going to post three old cartoons I did on 9-11 on my blog.



Gene Weingarten, writer of "Barney & Clyde":



Yep, we have one.



Kevin Rechin, artist of "Crock" could not be reached for comment.

For those who aren't on Facebook, or friends of the Barney & Clyde page, I reproduce this note:

I'm not sure the Globe quite knows why they dropped us either -- they liked us. After nine months of gaining papers, it is only our first cancellation, which is unusual for a new strip, and heartening. For those in or around Boston or who might read the Globe online: An email of complaint goes a long way with comics decisions; newspaper editors listen.

Today's Chatalogical Humor is on Gene Weingarten's new comic strip "Barney & Clyde" as well as the quality of early Dennis the Menace.

Updating this a little, Barney and Clyde is a comic about a billionaire and a pauper. It's got a Facebook page now, and will be appearing in the Post when it launches.

From the October 7th chat:

Op, US: I can't believe Berke Breathed is retiring...again.

Seriously, I was a huge fan as a high school student, a moderate fan as a college student, and a passing fan as an adult. I mean, it's a character-driven strip that hasn't been daily for nearly 20 years, so it's not like we had much opportunity to get re-attached for the last three. I just can't get choked up the way I would for, say, Trudeau or like I did for Larson or Watterston. Or like I did for Breathed, twice already.


Gene Weingarten: Well, Berkeley has been teasing us for weeks now. It's no surprise.

I liked Opus, and it remains one of the best drawn strips on the comics pages, and I will miss it. But I think the decision to go Sunday-only may hae doomed it from the start. It's very hard to gain traction without a daily dose of your characters, particularly, as you say, with a character-driven strip.

I began to feel that Berkeley's heart was not entirely in this latest enterprise when more than once we found ourselves looking at recycled Bloom County gags.

Gene Weingarten: But: Week after week, Opus delivered some of the best sky-is-falling allegorical hang-wringing about the political hypocrisy afoot in our land. It's not a voice I would vote to lose and I'm sorry to see it go.

and one of his readers feels strongly about Doonesbury in a positive way, as do I:

B.D. Grins!: Hi Gene,

It's been over a week, but I'm still smiling about seeing B.D. smile in Doonesbury.

I loved Trudeau's whole sequence about Sam's Sarah Palin doll, but the most touching thing was seeing B.D. get so tickled as Boopsie tried to explain to Sam that Palin shouldn't be her hero (or her vice president). We've seen B.D. recover from his amputation and deal with his PTSD and even reach out to other characters -- but I'm pretty sure this is the first time he's smiled. It made me unreasonably happy.

And wide-eyed Boopsie has come a long way since B.D.'s injury, too. She's been a rock for B.D. And it's nice to see her get steamed about Palin.

I can't believe how emotionally invested I've become in these characters lately. Trudeau has always been brilliant, but this is ridiculous.

Gene Weingarten: Yeah, this was the best day of a good week.

In his Tuesday chat, Weingarten was asked about F-Minus:

Providence, R.I.: The best comic strip in the Boston Globe, which I read as a poor shadow of a substitute for my native Post, is Tony Carrillo's "F-Minus." Are you familiar? What do you think, and can you get this brilliant man in the pages of the WaPo?

Gene Weingarten: I like it a LOT. I will see what I can do, which isn't much.

In his June 17th chat, GW amped his coolness factor considerably when he wrote,

One of my prize possessions is an autographed copy of a Furry Freak Bros. book. Gilbert Shelton signed it to me from where he lives, in self-imposed exile, in France. The French still love him. The book is in French.

The Fabulous Furry Freak Brothers were a great 1960s era comic for stoners. The brothers were Fat Freddie Freak, Freewheelin' Frank Freak, and Phineas Freak. Probably their best known line was: "Dope will get you through times of no money better than money will get you through times of no dope." They also had a version of that quote where "sex" was substituted for "money." They both rang true back in 1969 or so.

and later, he wrote, He was a terrific cartoonist.

and a question about For Better or For Worse arose:

Elizabeth and Anthony: Re today's FBOFW: Is Lizzie (dare I suggest) knocked up? Is she fishing for a babysitter for Anthony's daughter, or her own bun in the oven?

washingtonpost.com: For Better or For Worse, (June 17)

Gene Weingarten: It's hard to be sure; we'll know tomorrow, won't we? My guess is that this is not a Major Announcement, for three reasons. First, I don't think Johnston would go there. Second,they've been talking a while about moving up the date of the wedding so Gramps can be there before he corks. If there were another pressing reason, I think this would indicate a degree of disingenuity about Elizabeth that Johnston wouldn't do. Elizabeth is perfect; the Madonna.

On the other side, look at how shocked Dee is in that final frame. Also, why would they suddenly be borrowing the babysitter? They've had Anthony's girl all along.

I vote no, tho.

Gene Weingarten: Okay, I meant two reasons, not three.

and a comment about Doonesbury:

Kensington, Md: I am slower than molasses in January. It just hit me that Doonesbury is back. Is there anyone else cartooning right now who could take 12 weeks off and expect to get his/her spot back in seemingly every newspaper in the country?

Gene Weingarten: Unfortunately, yes. Garfield, Beetle Bailey, etc.

Though, hm. Maybe not. Maybe sanity would prevail. Maybe that's why those strips never take a vacation.

but For Better issues are raised again...

FBOFW: Oh, Liz is clearly pregnant. "I already feel like a parent" is clue #1, Dee's face is #2, and the fact that Lynn Johnston ain't subtle is #3.

washingtonpost.com: Don't scare me like that.

Gene Weingarten: We'll see tomorrow. It's possible. So we have out of wedlock sex! But we also have that weird thing about advancing the wedding so grandpa can go...

I still think no.

and then again...

Washington, D.C.: I'm with Gene. Elizabeth is not pregnant. She feels like a parent b/c of Anthony's already existing child. They will be stealing the babysitter b/c they have been taking it slow, etc., not dating a lot. The wedding was pushed up in direct response to April's comment to move it up so Gramps could go. If she were going to be pregnant out of wedlock, they'd of kept her with the pilot dude

Gene Weingarten: Well, I just think she was ever going to be preggers out of wedlock.

_______________________

Arlington, Va.: Despite your cogent, detailed analysis of today's For Bettor or for Worse, you are a moron. The sudden ending makes little or no sense unless there's a pending/immediate NEED for a babysitter.

Lynn Johnston has used setups like this for other developments in the strip. Watch that space. And we'll see you in a few weeks at the baby shower.

Gene Weingarten: This is interesting.

I like that we'll know tomorrow. A real-time debate.

and the debate continues...

FOOB: Isn't it obvious? Dee's just horrified that she won't be able to escape from her twee little brats as often as she'd like.

Gene Weingarten: Yeah, I think you're right.

...this obviously struck a nerve...

Seattle: In Re: FBOFW's Elizabeth The Pure -- Remember, she lived with her boyfriend when she was in college; she dumped him after he cheated on her.

Gene Weingarten: Yes, but getting knocked up is different.

So, tune in tomorrow or later this week to see if Elizabeth is knocked up AS THE WORLD TURNS.

His readers are absolutely wrong on Keith Knight and Weingarten is right.

May 20th chat

Gene Weingarten: Good afternoon.

Jef Mallett, creator of Frazz, e-mailed me yesterday after he returned from The National Cartoonists Conference in New Orleans. During the conference, he said, a whole bunch of cartoonists went off to help build a house in the city, as part of a Habitat for Humanity project. I asked him to draw a cartoon of what a house would look like if it was built by cartoonists. Here is Jeff's drawing, along with his commentary.

What I learned from this experience:

1. Cartoonists cannot hold hammers. You've never seen so many people choke up so high on a hammer.

2. What's black and white and red all over? A Scottish-Norwegian cartoonist messing with tar paper shingles all day in the sun. Heehaw. Trust me on this one.

3. When cartoonists hammer their thumbs, what they say isn't really spelled "##%!!*."

4. Whatever you think you know about the devastation down there, you don't have a clue. And it's almost three years.

What I learned from drawing the two cartoon characters in this picture:

1. Rosie the Riveter seems to be giving us all the "up yours" gesture. I never quite noticed that.

2. I am apparently one shopping trip to Williams-Sonoma away from being as gay as a Mardi Gras float. This, too, was a big surprise.

May 27th chat

CPOW: That Knight's Life is not a funny comic. You just like it because it supports what you (and all of us) have been saying. The Pearls on the other hand IS funny.

Gene Weingarten: I am allowed personal bias.

_______________________

Fairfax, Va.: Agreed on liking Knight Life. The first replacement, about the stay-at-home dad, clearly got old quickly. The second one, while promising, seems like it was trying too hard to be The Far Side. The third one, while it may fall into that category of nerdy young black man with Candorville and Watch Your Head, seems by far to be the best. Any idea what the general reaction to the three has been?

Gene Weingarten: The Post people are pretty smart. I've liked the last two, actually. I am hoping we keep both and get rid of some antedeluvian ones.
---------------------------------------
Baltimore, Md.: You have GOT to be kidding about Knight Life, right? Anyone who names a comic strip after himself immediately has one strike against him. And, Sunday's cartoon included jokes so old and lame even my 5 year old thought they were stupid. THIS is what the Post thought could replace Doonesbury, even temporarily? My God, ...the horror.

Gene Weingarten: Yeah, Sunday's was bad. I agree.

_______________________

Washington, D.C.: Yes, the Knight Life comic is funny, but can you answer me this question. If the Post is going to add a new comic strip, why oh why, isn't the daily Cul de Sac, by the Post's own Richard Thompson, not up for consideration?

Gene Weingarten: It should be the first choice.

_____________________

Re: The Knight Life: The art on this strip is terrible. Doesn't that bug you?

Gene Weingarten: No. I like the art.

Gene Weingarten's May 20th chat had some comments about a 'comics' clue to the Post Hunt.

Arlington: G-Dub. How in THE hell can anyone claim that the "Comics" clue was hard? The comedians made it obvious what the topic was, Liz and Ginger walking around with the comics pages made it obvious where to look (not to mention that everyone was reading the Comics section) and the numbers weren't terribly hard to find. What was hard about it?

(Every other clue was @#$! impossible, btw.)

washingtonpost.com: And yet there were people who -- when offered a Comics section -- declined, saying "I have one at home."

Gene Weingarten: Heh heh.

As Tom said yesterday, the monitors at the fortune cookie site watched several times as small children were tugging at parents' clothing saying, "It tastes like coconut!" and the parents said, "Ssh. We're trying to solve the puzzle."

and later...

Consiracy Theories: It's bad enough that clueless Post readers may be misled by the clues planted in the magazine and comics, but what about the rest of the country? Is there an army of folks coming up with diabolical explanations for the numbers appearing in the three comics? Or do they get an explanation somewhere somehow (without stumbling on the Post)?

Gene Weingarten: Yeah, I owe a great thank you to Stephan Pastis, Jef Mallett, and Berkeley Breathed. They were great sports about it. I'm sure they're getting dozens of letters from elsewhere in the country asking, yknow, what that "nine" was about.

and...

Opus Hunt: Gene,

A friend was telling me about Hunt (she went, I couldn't) and when I looked at the Opus strip, the first thing I thought of when she pointed it out was Al Hirschfeld. Did Breathed do that on purpose? And were the other numbers in the strip used as decoys?

Gene Weingarten: Yep, it was an homage to Hirschfeld, I believe. "Nine" was done exactly the way Hirschfeld did "Nina."

The other numbers were coincidence! He wasn't trying to be deceptive.

...with some debate over that...

Washington, D.C.: Did you notice that both Breathed and Mallet hid other numerals in their strips? The s in the title "OPUS" was a 5. In Frazz, the word "school" had both a 5 instead of an s, and an 8 instead of the two o's. The second occurrence of that word didn't have the 5, but it did have the 8. So we weren't sure which hidden numbers to use, until we finally noticed the "nine" on the doctor's coat, and decided to use the spelled-out numbers "six," "eight," and "nine," and ignore the hidden numerals 5, 8, 8 and 5.

Gene Weingarten: I disagree about the S being a 5.

But we noticed the "oo" looking like an eight. We noticed this at the very last minute. It turns out that is simply how Patty Mallett (who inks Jef's art) makes a double o! If the hidden number had been anything but eight, we'd a been scrood!

This is all nonsensical, until you go to the Post website. This video explains that Weingarten's friends Stephan (Pearls Before Swine), Berkeley (Opus) Breathed and Jeff (Frazz) Mallett snuck in clues for the Post Hunt.

From the May 6th chat:

Comi, KS: The current Doonsbury replacement strip, despite the fact that I can't remember its name, has been pretty good. I thought this week's strip was hillarious -- but I'm 39 and I'm barely barely old enough to remember the "Hey, Kool-aid!" ad campaign. Was there a later resurgeance that I missed out on? Or does nobody under 35 stand a prayer of understanding that joke? Seems like the punch line--so to speak--would have worked a lot better in 1978 than 2008.

Gene Weingarten: Yeah, I barely remembered it. I like this strip, though it is one of the more blatant Far Side ripoffs around.

----------------------

and later in the chat,

The Four To, PS: OK, how about the Mount Rushmore of cartoonists?

I think Walt Kelly and Charles Schultz have to be there, but then it gets harder. I have to go with Watterson next, but then that last spot is very, very tough -- my list of possibles includes Feiffer, Trudeau, Breathed, Larson, Hollander, Adams, and MacGruder, all of whom were groundbreaking in different ways.

Who goes on your mountain?

Gene Weingarten: I take Schulz off the list and put Larson and Trudeau up there, but you won't get that many to agree. I don't think you can take Kelly off the list, but both Larson and Trudeau belong there. I am in the minority in my views on Schulz.


Re: Mount Rushmore of Cartoonists: Which weighs more heavily in your decision on this: artistic or writing talent?

Gene Weingarten: Writing. Though Kelly may have been the best cartoon artist ever.

Larson couldn't draw. He still needs to be there.
--------------------

Palookaville: Hey, Gene, can we have a moment of silence for Ted Key, who died recently at 95? Key created Hazel (the Saturday Evening Post cartoons from which the TV show was spun), Diz and Liz and -- which I hadn't realized -- Sherman and Mr. Peabody. An American giant.

Gene Weingarten: I didn't know he did Sherm and Peabody! And Hazel was good, too. Very dry humor. Hazel, as I recall, was a maid with a dry, cynical sense of humor, who basically controlled the household.